Bio
Ricardo Dominguez is
a co-founder of The Electronic Disturbance Theater (EDT), the group that
developed Virtual-Sit In technologies in 1998 in solidarity with the Zapatista
communities in Chiapas, Mexico. He is Senior Editor of The Thing (bbs.thing.net).
He is a former member of Critical Art Ensemble (1987 to 1994), the originators
of the theory of Electronic Civil Disobedience. Currently he is a Fake-Fakeshop
Worker (www.fakeshop.com), a hybrid performance group, presented at the
Whitney Biennial 2000. Dominguez has collaborated on a number of international
net_art projects: among them are "Dollspace," produced with Francesca
da Rimini (www.thing.net/~dollyoko), and "The Somatic_Architecture
Project" with Diane Ludin (www.thing.net/~diane), in which he is OS_slave
for "I_Drunners" (a Mistresses of Technology Project). He has
also collaborated with Jennifer and Kevin McCoy (www.mccoyspace.com) on
a number of project, and participated in "The Warhol Hijack" with
the Verbal group. He presented EDT's "SWARM" action at ARS Electronica's
InfoWar Festival in 1998 (Linz, Austria). His first digital zapatismo project
took place in 1996-97, a three month RealVideo/Audio network project: "The
Art of the Americas" (Routledge, 2000) edited by Coco Fusco. He edited
EDT's forthcoming book Hacktivism: network_art_activism (Autonomedia Press,
2001).